Psychological tendencies of the hero's character in the cinema: "The Joker as a Model"

Abstract

The importance of the character is reflected in the role it plays within the visual achievement, so the character derives its sap from the dimensions it contains, which gives it an aesthetic, intellectual and philosophical dimension, which thus leads to the visible achievement as a whole, so the aesthetic and expressive value of the cinema is manifested in showing those implications that are difficult to embody. By the rest of the arts, especially in the manifestation of the intellectual and psychological dimensions of the character, and the process of imparting a dramatic logic that makes these paper objects move in the time and place of the event requires building a character according to scientific and logical foundations and on a desire that tries to achieve throughout the film, but the desire acquires its importance according to the disclosure Its tendencies, tendencies and motives that become clear during the narrative context of the film, but despite the availability of all these elements, the effect does not occur except with the presence of a dramatic logic.